olay composition
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We discuss here how to use GPAC's compositor for complex scenes or simple AV as a filter rather than the player.
Let's start with something simple before pulling out the hammer.
Assume you have a source (MP4, RTP, DASH, ...) and you want to output the raw decoded data of this source to something such as pipes , sockets , or raw data.
The simplest way to do this in GPAC is to use the reframer filter, enforcing it to use RAW data.
gpac -i $SOURCE reframer:raw -o dump.yuv
gpac -i $SOURCE reframer:raw -o dump.pcm
gpac -i $SOURCE reframer:raw -o dump.pcm -o dump.yuv
If you need to perform say resampling and resizing:
Prior to GPAC 2.0
gpac -i $SOURCE reframer:raw:FID=1 resample:sr=48k:ch=1:SID=1 @ -o dump.pcm ffsws:osize=256x256:SID=1 @ -o dump.yuv
With GPAC 2.0, syntax can be simplified (old syntax is still working)
gpac -i $SOURCE resample:sr=48k:ch=1 ffsws:osize=256x256 -o dump.pcm -o dump.yuv
You can obviously replace the output filters with any filters you like.
gpac -i $SOURCE reframer:raw @ -o pipe://videopipe:ext=yuv @1 -o udp://127.0.0.1:1234/:ext=pcm
With GPAC 2.0:
gpac -i $SOURCE reframer:raw -o pipe://videopipe:ext=yuv -o udp://127.0.0.1:1234/:ext=pcm
The compositor filter is a in charge of 2D+3D rasterization of natural and synthetic content and audio mixing, in a timed fashion. It is the core of interactive rendering of gpac, but it can also be used in non-interactive mode to compose scenes in a filter chain. The compositor currently uses BIFS/BT/XMT, SVG/LASeR or VRML/X3D to describe multimedia scenes, scriptable through JavaScript.
Assume you want to insert some text and logo over a video. To do this with GPAC, you can:
- use a BIFS/BT/XMT scene
- use a JavaScript drawing filter
- use the AVMix filter (see howto )
In this HowTo, we will only talk about using the compositor filter.
Design your scene, play it (gpac -mp4c $BTSCENE) to see the result. You can get a lot of inspiration from the gpac BIFS tests.
In order to perform overlays, you need to use a Background2D node with a url gpid:// cf this example. This will instruct the video to take the first visual PID connecting to the compositor and use it as source for this background node.
You can then compose the scene as follows:
gpac -i $SOURCE -i $BTSCENE compositor -o dump.pcm -o dump.rgb
In this mode, the compositor will generate a new visual frame for each incoming video frame (keeping its timing info), update the scene time based on that frame time and then render animations and mix audio according to this clock.
This is a work in progress in GPAC, we might want to use the overlay facility with SVG or VRML/X3D as well (but these scene graphs don't have the convenient notion of 2D video background).
Discussion The compositor is quite flexible and provides many options. It can be instructed to enforce a given output pixel format or audio format. When using 3D scenes, the compositor will output OpenGL textures as data packets. When using 2D scenes, it will output (unless enforced otherwise) regular data packets, by default in the source video pixel format. If the filter chains allows it, the video processing is done in place on the video input frame; this requires no other filter use these frames obviously. If the output format is enforced, video data will be copied. Audio is send as PCM data using the compositor audio options.
This is very similar to overlaying, except you don't need to use any specific gpid:// url. Just take your scene and dump it:
gpac -i $SCENE compositor -o dump.pcm -o dump.rgb