Rough evolution: monophonic Gregorian chants -> polyphony of various rules and centuries -> homophony
- Tonal Structures in Early Music
- Megan Kaes Long. Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century
- The Josquin Research Project
- Joshua D. Albrecht, David Huron. A statistical approach to tracing the historical development of major and minor pitch distributions, 1400-1750
- Daniel C. Tompkins. Early Seventeenth-Century Harmonic Practice: A Corpus Study of Tonality, Modality, and Harmonic Function in Italian Secular Song with Baroque Guitar Accompaniment in Alfabeto Tablature
- Samuel Howes, 2021
- Bas Cornelissen, Willem Zuidema, John Ashley Burgoyne. Studying Large Plainchant Corpora Using chant21
- Dahlhaus Carl, Gjerdingen Robert O. Studies on the Origin of Harmonic Tonality
- https://books.google.ge/books/about/Fourteenth_century_French_Secular_Polyph.html?id=2QffwAEACAAJ&redir_esc=y and other works of Jennifer Bain (eg. on Machaut)
- Graham Strahle. Fantasy and Music in Sixteenth and Seventeenth-Century England
- Richard Parncutt, Daniel Reisinger, Andreas Fuchs, Fabio Kaiser. Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity
- Alexander Morgan. Automated Detection of Renaissance Cadential Voice Functions and Cadences, Renaissance Ternary Suspensions in Theory and Practice
- Karen Desmond, Emily Hopkins, Samuel Howes, Julie E. Cumming. Computer-aided Analysis of Sonority in the French Motet Repertory, ca. 1300–1350
- Eric Chafe. Monteverdi's Tonal Language
- https://www.routledge.com/Upper-Voice-Structures-and-Compositional-Process-in-the-Ars-Nova-Motet/Zayaruznaya/p/book/9780367590758
- Anna Zayaruznaya. The Monstrous New Art: Divided Forms in the Late Medieval Motet, review
- Polyphony in medieval Paris: The art of composing with plainchant
- 🎥 https://www.youtube.com/@EarlyMusicSources
- Vincenzo Borghetti, Tim Shephard (eds). The Museum of Renaissance Music. A History in 100 Exhibits
- http://digitalduchemin.org/
- The Cambridge History of Fifteenth-Century Music
- Jesse Rodin. Josquin's Rome
- https://www.earlymusicsources.com/
- Charles M. Atkinson, The Critical Nexus: Tone-System, Mode, and Notation in Early Medieval Music
- Julie E. Cumming. Renaissance Improvisation and Musicology
- Ruth I. DeFord, Tactus, Mensuration, and Rhythm in Renaissance Music
- https://mtosmt.org/issues/mto.98.4.3/mto.98.4.3.mengozzi.html
- https://mtosmt.org/issues/mto.23.29.4/mto.23.29.4.ovenden.html
- https://www.mtosmt.org/issues/mto.06.12.3/mto.06.12.3.pack.html
- https://music-encoding.org/community/projects-users.html
- Bach's Chorales
- Bach's Fugues
- https://partimenti.org/partimenti/about_parti/index.html
- https://www.amazon.com/Continuo-Playing-According-Handel-Exercises/dp/0193184338
- Job Ijzerman. Harmony, Counterpoint, Partimento
- Derek Remeš. Compendium of Voice-Leading Patterns from the 17th and 18th Centuries to Play, Sing, and Transpose at the Keyboard
- Daniel Heartz. Music in European Capitals
- L. Poundie Burstein. Journeys Through Galant Expositions
- 🎥 Michael Koch. En blanc et noir: Baroque-style Piano Improvisations
- Four Score and More
- Dariusz Terefenko. The Passacaglia – A Primer for Teaching Baroque Improvisation
- 🎥 Josep Castanyer Alonso. "Angry Birds" but it's a three voice fugal invention - visualizes of the structure
- John J. Mortensen. The Pianist's Guide to Historic Improvisation
- John J. Mortensen. Improvising Fugue
- papers by Gilad Rabinovitch
- https://www.youtube.com/user/nikhilhogan85
- Robert Gjerdingen. Music in the Galant Style
Counterpoint can be of 16th century (which is Renaissance) or 18th century (which is Baroque). Of course, there's modern counterpoint as well.
- Beth Denisch. Contemporary Counterpoint: Theory & Application
- Евдокимова Ю. К., Дубравская Т. Н., Протопопов В. В. История полифонии. В 6 вып. М., 1983-1996
- Т. Н. Дубравская. Полифония
- Schoenberg on counterpoint
- Hindemith on counterpoint
- Alan Belkin. Applied Counterpoint
- Скребков. Полифонический анализ - про ХТК
- Kurt-Jürgen Sachs, Carl Dahlhaus. "Counterpoint" - an article in New Grove Music Dictionary
- https://doc.verovio.humdrum.org/filter/dissonant/
- https://mtosmt.org/issues/mto.23.29.4/mto.23.29.4.daly.html
- https://mtosmt.org/issues/mto.20.26.4/mto.20.26.4.desmond.html
- https://mtosmt.org/issues/mto.13.19.3/mto.13.19.3.dineen.html
- https://mtosmt.org/issues/mto.12.18.4/mto.12.18.4.chenette.html