- Matthew Kolar. Redefining Ornamentation as Formal Functions in 21st-Century Popular Music
- https://www.mtosmt.org/issues/mto.14.20.2/mto.14.20.2.biamonte.html
- Languages: Everett, Biamonte, Temperley on blue notes
- Jeremy M. Robins on Phrase Structure, see References
- Double-Tonic Complexes
- Brad Osborn
- Hypermeter
- Melodic-harmonic divorce
- John Covach. Analyzing Texture in Rock
- Allan Moore. The so called "flattened seventh" in rock
- Ruth Dockwray and Allan F. Moore. Configuring the sound-box 1965–1972
- Steingold, Marissa Leigh. Journey to the Flat Side: dualism, subdominants, stacked fourths, pentatonics, and the ‘musical left’
- Moore, A. (1992). Patterns of harmony
- Wagner, Naphtali. 2003. “‘Domestication’ of Blue Notes in the Beatles’ Songs.” Music Theory Spectrum 25 (2): 353–65. https://doi.org/10.1525/mts.2003.25.2.353.
- Kyle Hutchinson. Retrospective Time and the Subdominant Past: Tonal Hermeneutics in Contemporary Broadway Megamusicals
- https://doi.org/10.1093/mts/mtv020
- https://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.doll.html
- Scott J. Hanenberg. Rock Modulation and Narrative
- https://mtosmt.org/issues/mto.20.26.1/mto.20.26.1.heetderks.html
- https://mtosmt.org/issues/mto.12.18.2/mto.12.18.2.blake.html
- https://www.mtosmt.org/issues/mto.19.25.3/mto.19.25.3.conklin.html
- https://www.mtosmt.org/issues/mto.00.6.3/mto.00.6.3.kaminsky.html
- Megan L. Lavengood. The Cultural Significance of Timbre Analysis: A Case Study in 1980s Pop Music, Texture, and Narrative
- https://www.mtosmt.org/issues/mto.10.16.1/mto.10.16.1.malawey.html
- https://mtosmt.org/issues/mto.05.11.4/mto.05.11.4.moore.html
- https://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.nobile.html
- https://trace.tennessee.edu/cgi/viewcontent.cgi?article=1171&context=gamut
- Allan Moore, Paul Carr (editors). The Bloomsbury Handbook of Rock Music Research
- Trevor de Clercq. Embracing Ambiguity in the Analysis of Form in Pop/Rock Music, 1982–1991
- David B. Easley. Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83)
- Christopher Endrinal. Burning Bridges: Defining the Interverse in the Music of U2
- David S. Carter. Generic Norms, Irony, and Authenticity in the AABA Songs of the Rolling Stones, 1963–1971
- Victoria Malawey. Strophic Modification in Songs by Amy Beach
- https://mtosmt.org/issues/mto.22.28.3/mto.22.28.3.nobile.html